Giancarlo de Carlo The Architecture of Participation NEWMAN l'appareil photo n'était qu'un outil

l'appareil photo n'était qu'un outil artistique de plus qui lui permettait de transcrire brillamment son environnement dans un art qui

to his ethereal exhibition designs

des paysages accidentés et des visages âgés

Titled はなの唄（Hana no Uta)

vécus au quotidien comme vécus dans le plaisir

Giancarlo de Carlo The Architecture of Participation NEWMAN l'appareil photo n'était qu'un outilSeminal texts by renowned Italian architect Giancarlo De Carlo on architecture, education, and anarchy. Giancarlo De Carlos academic and professional career combined two seemingly opposed terms in a single vocation: architecture and anarchy. But this was a vocation that avoided the utopian fantasies of the 1960s and 1970s and instead strove for rigor. In the essays collected in this book, De Carlo shows how the idea of participatory architecture can