The Ramble, NYC 1969 Jedediah Sklower reminiscent of George Grosz's tense

reminiscent of George Grosz's tense and tortured figures

entre papier peint

se réfèrent toujours à un Ordre qui continue à servir de référence

Shore a rencontré des métallurgistes qui avaient été mis au chômage par la fermeture d’usines et photographié leur monde soudainement fragile: usines désertées

Pour de nombreux Ukrainiens

The Ramble, NYC 1969 Jedediah Sklower reminiscent of George Grosz's tenseIn 1969, Arthur Tress began taking his camera with him on walks through the Ramble, an overgrown corner of Central Park that had become New Yorks best known outdoor meeting place for queer men. Designed as a picturesque woodland in the nineteenth century, by the late 1960s it had grown wild, a hidden, half forgotten place of chance encounters in the middle of the city. For a little over a year, Tress returned again and again, recording the everyday